PERMANENT PRESENCES

Works never truly stop.
They change place, but they never stop acting.

Some enter public institutions,
others are housed in foundations,
others still remain in private collections as silent presences,
far from the exhibition gaze yet close to life.

This is not a list of acquisitions.
It is a geography of permanence.

Institutions and Museums

OSTEN Biennial of Drawing — Skopje, N. Macedonia

Works enter a context dedicated to international contemporary drawing, where the line becomes a critical language and a visual memory.

Museo del Presente
Permanent project Quarantena dell'Artista (2020) — Rende, Italy
A suspended time that has turned into archive. The works remain as traces of an isolation transformed into language.

Foundations and Institutional Collections

Ricoh Art Contemporary Foundation — Ricoh Collection, Vimodrone (Milan)

The works enter a corporate context that supports contemporary research as part of its cultural ecosystem.

Here, art doesn't decorate space: it inhabits it. It becomes a quiet presence inside the machinery of the everyday, like a pulse running under glass and steel.

Galleries and International Collections

Galleria Sala Santiago Nattino, Chile

A presence within the Latin American panorama, where geographical distance becomes an expansion of language.

Here the work travels further than the body. It crosses hemispheres, changes air, and still keeps its voice intact—like a message that refuses to fade, only to widen.

Private Collections

Works live in private collections,
where time moves more slowly and the relationship becomes more intimate.

Among these presences:

Giorgio Gregorio Grasso — art critic and historian
Giada Elisa Eva Tarantino — art critic and historian